[ pelada ]

In 1984, Jorge placed fourth in shooting at the Los Angeles Olympics. He’s a Colombian living in Bolivia who owns a cattle ranch and a dove-hunting lodge. In and around both places, everyone- but him-plays futbol.

The cattle ranch is twenty minutes outside of a village of straw-roofed homes in the basin of the Amazon. Every afternoon the men play and the village of San Fermin gathers around the tree to watch. At half-time, the women dip coffee mugs into a utility bucket full of corn water and pass them to us. Someone else pushes out a wheelbarrow full of neon soda pop for the kids who are wrestling on the surrounding grass.

After the game, Chichito drives us out to the cattle ranch. The next day, while we are out on horseback, rounding up cows in the jungle, Gwendolyn shoots a rifle at an alligator. This makes her very, very happy, even though she is closer to hitting the parrots in the surrounding trees than the alligator.
Afterward, we leave for the lodge, driving down dirt roads that cut through the Bolivian jungle, stopping occasionally to let buffalo pass. After a day of rain, the roads are mud and we slip and slide from one side to the other as Rebekah and Gwendolyn hold their breath. Luke says ¨What, haven’t you ever done doughnuts before?¨ Rebekah says, ¨Sorry Luke, swerving around in a car isn’t usually a girl´s rite of passage.¨ When we nearly lose control of the car, fishtailing off the road, we hear a loud thump on the roof. Ryan, who is up top filming tracking shots, has narrowly escaped being thrown off the Landcruiser and into the trees.

Eight hours later, we arrive at the hunting lodge. There´s a crocodile skull in the fire place, giant anaconda skins stretched across the wall, and bright, rare hammocks knit by an Indian tribe in
Colombia. Jorge tells us stories about free diving in the Amazon among the piranhas and catching a grouper so big he could fit his five-year-old inside of it…there´s that picture, plus the picture of his daughter Daniela making friends with a jaguar.

At 6pm, all the workers take off-Ryan´s back on top of the Landcruiser, filming the two players hanging onto the back and the motorcycle behind us hauling a cart full of players out to the field. When we arrive, there are approximately three giant mud puddles. One guy takes a bucket and begins to scoop out some of the water. Luke, trying to be helpful, grabs a soup can from the trash and begins to go at the water as well, like someone using a thimble to scoop up the ocean.

The game revolves around two objectives: 1) score goals, and 2) do everything you can to avoid the mud puddle. There is much sliding, skirting, and screaming, but there is only one total capsize into the mud. There´s a Mennonite colony nearby and they crane their necks to watch as their horse carts pass by.

After our adventures in the middle of nowhere Bolivian jungle, we decide to head to the middle of nowhere Bolivian Salt Flats. We book a 26-hour bus to Uyuni, with a one-hour layover in Sucre. The city of Sucre, however, goes on strike. Jorge will not let his daughter´s friends head for the danger. So we take an all-night bus to Cochabamba. There is no air-conditioning and it is pass-out hot. We are sweating as though we´ve just been thrown into a pool or just played a ninety-minute summer game in Texas. Luke, the only one with access to a window, switches seats with Gwendolyn so she can have a turn sticking her head out to the world, desperately gulping in air. She wakes up to a thunderstorm in her face. She whips her head inside, fleeing pelting raindrops. Ryan, who is sitting beneath an apparent leak, is also in the middle of the rain. All night, we watch the violent storm, the lightning, the cracking thunder, wondering if the bus ride will ever be over.

Eventually, we arrive at our next bus station. Ferg eats an empanada filled with suprise beef stew that makes her sick on the next bus ride. It is her turn to have her face out the window. In Oruru, we have a ten-hour layover. We scout each bus to Uyuni and choose the company with the friendliest ladies and the prettiest posters. We go watch a terrible Evan Almighty that is dubbed in Spanish, then return to the bus terminal. We listen to the jukebox that plays both Enya and Ja Rule and watch the Cholas who’ve wrapped plastic bags around their top hats to protect them from the rain. When we are about to board, the friendly lady who no longer looks friendly briskly takes our tickets and switches them out with new tickets. The Uyuni bus companies have apparently consolidated and there are ten or so people who have to stand in the aisle as we take off for our all-night bus ride. We head to the city described as ¨climatically-challenged¨ in our guide book…without heat and with the sudden realization that the window in front of us is broken and won´t close-we clutch the jackets we bought at a secondhand market in Santa Cruz tightly around our throats, pull our handwoven beanies down over our faces, and try not to die.

A man gets off the bus and one of the seatless Cholas sits down next to Ryan. She touches Ryan´s cheek and says, ¨Frio?¨ Ryan nodds vigorously and she says, Poor Child, nuzzling his face into her bosom. She wraps him into her blanket and drapes her legs across his. We are all very jealous of Ryan.

At 4am, they drop us off in a deserted town. While they told us there was a nice, bright bus station with always-waiting tour guides, there is absolutely no one around. They kick us out of the bus company office and we walk through the streets. It is colder than South Bend. (It is the close of Gwendolyn´s birthday, and the three bus-rides from hell have made it memorable.)

The next three days, we drive past flamingos, red lagoons, volcanoes, Salvador Dali’s desert, and cactus islands. We play a game in the Salt Flats: miles and miles of blindingly white salt. When the ball is shot wide, it rolls forever. It´s a surreal world and we love it in that foggy, mystical way that happens when you have not slept.

When the trip ends, we head for La Paz, one of the highest cities in the world. We have our hearts set on playing in San Pedro Prison.

Emerald sunglasses with respect to mlb

The particular Prada name in 1913 has been initiated simply by Mario Prada who traditionally focussed in relation to adorning wash rag pieces. When it comes [url=http://www.hannawinery.com/listinfo.php?pid=1485]Ray Ban Replacement Lenses Rb2132 Polarized[/url] to 1978, Miuccia Prada, the actual qualified as well [url=http://www.hannawinery.com/listinfo.php?pid=1487]Ray Ban Replacement Lenses Rb 3445[/url] as the intelligent young lady had taken during the loved ones market.The Florida sun is warm and bright all year and no person would like to devote their trip with painful sunburns. Sunglasses are advised in addition.Foods that help the skin nutritionSalmon and other fish of cold water, ground flax seed, nuts, these are rich in Omega-3, these help the formation of the barrier of the skin, to keep her hydrated and to look better. The Brazil, Turkey, the cod these nuts provide selenium.

Emerald sunglasses with respect to mlb really are a very important application should you take a lot of time Ray Ban Sunglasses in your ball sphere - gamers also people common. May moreover tap out the real difference concerning the umpire’s yowl with “Strike three!Popular among the young baseball cap totem graffiti on the repetitive situation has become more significant, it seems to be absent in Ray Ban Sunglasses the small kangaroo logo repeated pressure in the cap body. There are special hand-stitched details [url=http://www.hannawinery.com/listinfo.php?pid=1484]Ray Ban 2132 Replacement Lenses Polarized[/url] of lily of the exaggeration, the same gentleman fisherman cap and hat, crowns beaming bright red flowers blooming out of the lilies, and even men’s wear, are not unexpected, revealing the younger generation anti-fashion taste.

Nowadays, new designs of eyeglass lenses are thinner even with heavy prescriptions. Aspheric lenses are not perfectly round on the surface.His thought was that your new Private coach handbags might ultimately come to be like that aged weathered leather glove. While you have your bag you’ll break this within as any superb baseball participant would his preferred glove.Many scholars believe the idea for sunglasses took birth from the Roman Emperor Nero who liked to watch gladiator fights through emeralds and rubies. What we know as modern sunglasses took shape only in the 1940s where the glamorous movie fraternity had a huge hand in making them so popular.

The kinds of sunglasses which [url=http://www.hannawinery.com/listinfo.php?pid=1486]Ray Ban Replacement Lenses Rb3025[/url] might be impact-resistant furthermore are the appropriate sunglasses. For might be down into athletic, impact-resistant eye-glasses are your favorite variety.This may cause search engine listings, such as Google, show your site increased on the outcome. If this type of seems excellent for you, read on.If I wore sunglasses, a great deal of of whichfacts plusfigures might be lost to me. I am assured that the information I prefer in.Other options include frame size and Rx lenses. The sunglasses are shipped within 2-3 business days.The [url=http://www.hannawinery.com/listinfo.php?pid=1483]Ray Ban Wayfarer Replacement Lenses Polarized[/url] [url=http://www.hannawinery.com/listinfo.php?pid=1488]Ray Ban Replacement Lenses Rb 8305[/url] award from the CFDA (Council of Fashion Designers of America) made him the youngest ever designer to win and an instant hit worldwide.The next Ray Ban Sunglasses few years saw Jacobs build upon his reputation, alongside business partner Robert Duffy, with 1989 welcoming the duo to head up the Women’s Design department at Perry Ellis.

Videography is the art or manner of taking moving photos on film or digitally. It is a very innovative and also technical field that will require a combination of esthetic vision, complicated skill, and reliable communication skills. The job of a videographer is to create visually compelling images that tell an account, convey a message, or just entertain an audience. In this article, we are going to investigate the various areas of the task of a videographer and why it is an important and intense profession. One of the most critical areas of videography is storytelling. A videographer accounts for bringing a tale to life by using moving images. They must have the ability to understand the story they are trying to tell, and then use their technical skills to fully capture it in a visually compelling way. This requires a deep knowledge of the narrative structure, character development, and pacing of a story. In addition requires a beneficial sense of how to visually convey emotions, moods, and themes. Creativity: Videographers should be in a position to think creatively so that you can visually tell a story or convey a message. They have to have the ability to see things in a different way, and then use their scientific skills to carry those suggestions to life. This requires a beneficial feeling of composition, color, and movement. Moreover it requires a knowledge of how exactly to use visual effects and animation to improve the visual impact of a tale. A videographer will need to have an eye for detail, and be able to identify and rectify errors in their footage. They should be in a position to see the big picture along with the small details. This requires a great understanding of the technical areas of the craft, along with an ability to concentrate on the small details that can make a positive change within the final product. If you wish to study more about this unique topic area come visit a webpage: [url=https://www.seanniecameras.com/spinscott][color=#000_url]contact movie directors and close to Baltimore MD[/color][/url]